The real is not merely the excess that invades or overwhelms us; it is also what is not perceived as not having been sufficiently given and which always eludes us. On the individual and collective scale, it takes the form of economic rationale and unrealistic positivism.
Art, as a falsification of the real, is a useful remedy, or even a rescue, in helping to ward off the prevailing economism that disenchants our reality by enabling a reinvention of oneself and the world. But it veers into absurdity and destructiveness if it does not remain tangential to the external and internal limits of the real. There can be only one indication for psychoanalysis today: disenchantment in the face of the real. It offers an adventure it offers to the subject who wishes to taste the vitality of truth and freedom, to be free to confront pain and surmount it in order not to be “really” afraid.
Adolescence, 2021, 39, 1, 69-94.